Friday, December 8, 2017

2017 Pushcart Nominations!

Crab Creek Review is pleased to announce the 2017 Pushcart Prize nominees:

From 2017 Vol.1:

Shankar Narayan: “To:” 
Charnell Peters: “An Uncertain Map of How I Got Raced” 
Jennifer K. Sweeney: “The Pear Trees at Terezin” 

From 2017 Vol. 2:

Carlos Andrés Gómez: “Pronounced” 
Leyna Krow: “The Razor’s Edge” 
Diane Seuss: “Self-Portrait with Emily Dickinson (Rebirth of Mourning)” 

Special Mention to Sanam Mahloudji, whose short story, "Plain White Shoebox" (2017 Vol. 1) was nominated for the PEN/Robert J. Dau Short Story Prize for Emerging Writers. Congratulations, Sanam!

Congratulations to poets Jennifer K. SweeneyCarlos Andrés Gómez, Charnell Peters, Shankar Narayan, Diane Seuss, and writer Leyna Krow. Best of luck to all of the nominees!​

Sunday, October 15, 2017

Hello, Goodbye: Editorial changes at Crab Creek Review

“And all the lives we ever lived and all the lives to be are full of trees
and changing leaves.”  ― Virginia Woolf, To the Lighthouse

Editorial changes are afoot at Crab Creek Review! Martha Silano, poetry editor for the past eight issues of Crab Creek Review, will be stepping down at the end of this year. Martha has been a lightning rod for the collective brilliance and electric talent of the poets we've published the past four years.

Martha Silano & Jenifer Lawrence, 2016
Martha increased the journal's reach and depth, bringing her uniquely contemporary, thought-provoking, socially aware poetics to Crab Creek Review's pages. Her enthusiasm for poetry is infectious and unflagging. Martha has also been the person I turn to for advice and help in all aspects of running this little journal, and I am going to miss her fiercely. As Raymond Chandler put it, “To say goodbye is to die a little.” Martha will not disappear entirely, however. She'll be actively editing through the end of the year, and will then join our Literary Advisory Board, where she'll be available for consultation. Please share your well-wishes for Martha on our facebook page or twitter.

Laura Read

Crab Creek Review is thrilled to announce our new poetry editor, Laura Read of Spokane, WA. Laura is the current poet laureate of Spokane, and the author of the author of Dresses from the Old Country (BOA, 2018), Instructions for My Mother’s Funeral, and The Chewbacca on Hollywood Boulevard Reminds Me of You. Her awards include the AWP Donald Hall Prize for Poetry, and the Floating Bridge Press Chapbook Award. 

Laura teaches and presents regularly at literary festivals and conferences throughout the Northwest, such as GetLit!, Write on the Sound, Litfuse, and the Port Townsend Writers Conference. She's a poet, a teacher, a parent, and an advocate for literature. Laura will be transitioning in to her new role over the next couple of months, and will take over as poetry editor in January 2018.  Please join Crab Creek Review in extending a warm welcome to Laura Read!

Stay tuned for announcements regarding upcoming reading events for the newly released fall issue!

With much gratitude to Martha and Laura, and to you, our readers,

Jenifer Lawrence,

Saturday, October 7, 2017

Crab Creek Review 2017 Fall Issue

Fall 2017 Crab Creek Review 
Greetings from the editors. We're so pleased to bring you the new issue of Crab Creek Review, featuring the artwork of Melissa McKinnon. Inside, you'll find the prizewinning poem by Hannah Craig, as well as the finalist and semifinalist poems. In addition, the issue features poems by our contest judge, Diane Seuss, stories, essays, an interview with Rheea Mukherjee, and a review of Tammy Robacker's Villain Songs. Order today for late October delivery.

Crab Creek Review has some exciting news that we'll be announcing later this month. Follow us on twitter or facebook for the scoop.

As ever, we are grateful for our readers, contributors, and donors. Thanks to you, Crab Creek Review has been in print for nearly 35 years! May you each be filled with peace and courage to stand up for yourselves and others, now and in the future, and may your lives be filled with poems and stories.
 ~ Jenifer, Martha, Sayantani, & Maya.

Check out the fabulous lineup! 

Wednesday, August 9, 2017

Barn Lit By a Duck Egg, by Lillo Way

Lillo Way’s poems have appeared in New Orleans Review, Poet Lore, Tampa
Review, Tar River Poetry, Madison Review, The Sow’s Ear Poetry Review, Poetry
East, and Santa Fe Literary Review, among others. Seven of her poems are
included in anthologies. Way's full-length manuscript, Wingbone, was a
finalist for the 2015 Barry Spacks Poetry Prize from Gunpowder Press.

About the poem:

“Barn Lit by a Duck Egg” was written in direct response to a 3-hour workshop
led by Natalie Diaz, which was the best and most intense short poetry workshop
I’ve ever had the pleasure (and pain) of participating in. Charles Burchfield was
an early twentieth-century American painter. Olivier Messiaen was a 20th century
French composer. Burchfield describes hearing music projected from the
colors and shapes of objects. Messiaen describes seeing colors and patterns in
response to musical sounds.

Monday, August 7, 2017

The Pear Trees at Terezin, by Jennifer K. Sweeney

Jennifer K. Sweeney is the author of Little Spells (New Issues Press), James
Laughlin Award winner, How to Live on Bread and Music (Perugia Press), and
Salt Memory. A Pushcart Prizewinner, poems have recently appeared in The
Adroit Journal, The Awl, Stirring, Terrain, Tinderbox, Thrush, and Verse Daily.

About the poem:

“The Pear Trees at Terezin” was written after spending a month in the Czech Republic.
My travels triggered so many folds of memory and experience that what I could tangibly
remember and what was part of me solely through ancestry felt embedded into the
present. At times I felt like I was reaching far back into my lineage, and at others, spun
out of that dream-like tumble, having never been so far away from my story.

Saturday, August 5, 2017

The Scientists Agree, by Nate Stein

Nate Stein is an international human rights attorney in New York City. His work has appeared, or is forthcoming, in Wordriot, Isthmus, Gravel, and The Santa Clara Review, as well as The NYU Journal of International Law and Politics, The NYU Law Magazine, The Orlando Sentinel, and Shanghai Expat Magazine.

About the poem:

It often takes me between a week and a month to think a thought. I wrote these [poems] when
I was thinking about how as I get older I don’t feel afraid as frequently. But I miss that feeling. I have had success in life and I miss being scared of failing and I also miss being allowed to fail.

Thursday, August 3, 2017

California Dry, by Patricia L. Scruggs

Patricia L. Scruggs lives in Southern California. She is the author of Forget the Moon (2015). Her work has appeared in ONTHEBUS, Spillway, RATTLE, Calyx, and Cultural Weekly, among others, as well as the anthologies 13 Los Angles Poets, So Luminous the Wildflowers, and Beyond the Lyric Moment.

About the poem:

Last summer, during our 5-year drought, I began listing all of the names of places that were burning or had burned that year. I noted how many bore the names of saints. A poem began to emerge. The rest is court reporting of an incident during water aerobics and the scene around us—taking in the beauty of the day while parts of California were burning.

Saturday, July 22, 2017

My Body Mourns, Limb by Limb, as I Recount Your Final Days, by Michael Schmeltzer

Michael Schmeltzer is the author of “Elegy/Elk River” and “Blood Song,”
his full-length poetry debut from Two Sylvias Press. A collaborative
nonfiction book, “A Single Throat Opens,” is forthcoming from Black
Lawrence Press. You can find Schmeltzer procrastinating on Twitter at

About the poem:

I spend a lot of time thinking about grief, its effect on our bodies. Grief has this way
of moving, morphing, traveling from one part of us to the next. One day our heart
aches, the next our head. One day we fast, the next we gorge. Grief feels very alive
to me, and if I can’t control it within me, at least I can control it a little on the page.

Thursday, July 20, 2017

The Sister, by Lisa Richter

Lisa Richter’s poetry has appeared in Canthius, The Puritan, The Malahat
Review, The Scrivener, The Rock Salt Plum Review, and elsewhere. Her first
full-length collection of poetry, Closer to Where We Began, is forthcoming
with Tightrope Books in spring 2017. She lives, writes, and teaches English
to adults in Toronto.

About the poem:

I wrote “The Sister” (whose title was inspired by Sharon Olds’ “The Father”) as
a tribute to my older sister Caroline, whose severe mental illness resulted in her
hospitalization on numerous occasions between the ages of 16-24. Though this
story was not easy to tell, I've been greatly encouraged by The Sibling Support
Project (, an online community for brothers and sisters of
people with special health, developmental, and mental health concerns.

Tuesday, July 18, 2017

An Uncertain Map of How I Got Raced, by Charnell Peters

Charnell Peters is from Kokomo, IN. Her work has appeared or is
forthcoming in Ruminate, Apogee, Public Pool, Relief Journal, Puerto Del Sol’s
Black Voices Series, Fiction Southeast, and elsewhere. She is pursuing an
MA in Media and Communication at Bowling Green State University, and
she loves brave, honest stories.

About the poem:

This poem connects a portion of the larger scholarship on race and ethnicity—
such as the social production of race and space and the significance of scientific
racism—to a particular, individual life.

Sunday, July 16, 2017

Bee Boxes, by Candace Pearson

Candace Pearson won the Liam Rector First Book Prize for Poetry from
Longwood University for Hour of Unfolding. Her poems have appeared in fine
journals and anthologies nationwide. A Pushcart Prize nominee, she writes
in a turn-of-the-century hiker’s cabin in the Southern California foothills.

About the poem:

I grew up in California’s great Central Valley, a vast agricultural region. The land
and its many inhabits (including bees) still hold dear in my heart. The idea of the
regular, ever-present journey of the bees both informed and contrasted with a
loved one’s life struggle.

Monday, July 10, 2017

There & Here, by Thomas Patterson

Thomas Patterson lives in Westport, Massachusetts. He is retired from his
work as a School Adjunstment Counselor/crisis counselor in the Fall River
School Department and as an Instructor in English at Bristol Community
College, where he taught composition and literature. His most recent
poetry appears in Nimrod International Journal, The South Carolina Review,
New Orleans Review, CutBank
, and Chiron Review.

Saturday, July 8, 2017

Crab Creek Review Poetry Prize awarded to Hannah Craig

Hannah Craig, of Pittsburgh, PA, won the 2017 Crab Creek Review Poetry Prize for her poem, “Hemming Twice to Show the Strength.” The finalists are Carol Berg, from Groton, MA, for her poem,“Self-Portrait as Seven Deadly Sins” and Phill Provance, from Woodstock, IL for his poem,“The Stenographers Union.”

Hannah will receive $500 plus publication in the 2017 fall issue of Crab Creek Review. Finalists and semifinalists will also be published. The complete list of semifinalists is listed on our website. Contest judge Diane Seuss (Still Life with Two Dead Peacocks and a Girl, 2018), read all the semifinalist poems, provided to her without identification. Congratulations to all the poets!

“Hemming Twice to Show the Strength” by Hannah Craig

I love this poem for its many dimensions of artfulness—structure, music, and imagination. Without a heavy-handed narrative, the writer nevertheless sets a scene in the very first line and goes on to perform an “I,” a girl with “popcorn hair and sleeves of silver wire.” The decision to structure the poem via couplets seems just right, given the girl’s twin bodies—the one she’s born with and the one she “grows into,” the body that is not hers, sought (or imposed on her) in the pages of the bridal book. The poem brilliantly enacts the price of false-embodiment—vertigo, dissociation, death. At odds with the poem’s tight structure is the exhilaration of its associative leaps and its mad musicality—internal rhymes, alliteration, composition by ear and by fear. “I’m the twin of the old you/That’s grown inside the blue you, the dead you, the foggy dew/That lies upon the grass that’s you, that’s pressed upon,/Caressed and bound, that’s also laid.” This writer has voiced a speaker pressed, bound, and laid by gender’s ludicrous rules and regulations in a language that is obsessively, dizzyingly inventive. - Diane Seuss

“Self-Portrait as Seven Deadly Sins” by Carol Berg

Beginning with an epigraph from Salvador Dali, this litany voices the Seven Deadly Sins as a speaker who travels through—interpenetrates, really—a deeply-witnessed natural world. The anaphoric phrase that opens these lines is “I travel,” and therefore we experience the speaker as an approaching presence, mysterious, dangerous, even. Its gorgeous specificities haunt—“a donkey’s blunt/discourse,” “the weight of the reluctant loamy language/of moss, of lichen,” “the buddleia’s pink arch,” and “a green dream and of fall’s sudden flight.” Nature here is absolutely unsentimentalized. It is seen. It is languaged. I so dig the final gesture, in which the poem tumbles into Latin, like the Catholic mass retreating to its origins. Somehow, in this move, the “I” feels fully-realized. I admire this poem’s compression and what it leaves in the white space’s great unspokenness. I love that it enacts experience, unburdened by goodness and wisdom. - Diane Seuss

“The Stenographers Union” by Phill Provance

In reading this ingenious poem I feel like I’m looking into a diorama in a shoebox, a scene and a world dreamily composed within the cleanly-wrought borders of the speaker’s imagination, where “The moon is just a jellyfish we all have a spoon in” and God is a “Grand Stenographer…loading his standard-issue pocket protector,” “each of his teeth…a perfect scale replica of Nebraska.” I love this poem’s wit, its creepiness, and its snarky, haunted take on religion. It’s a poem-as-Joseph-Cornell-box—a little myth with a Midwestern twang. - Diane Seuss

The Poets

Hannah Craig is the author of This History That Just Happened (Parlor Press, 2017) which was the winner of the New Measure Poetry Prize. Her work has appeared in Fence, Mississippi Review, the North American Review, the Norton Anthology of Hint Fiction, Prairie Schooner, Smartish Pace and other publications. Her work was selected as the winner of the 2016 Mississippi Review Prize. She lives in Pittsburgh, PA with her husband and daughter where she works in IT and is an avid printmaker.

Carol Berg’s poems are forthcoming or in DMQ Review, Sou’wester,Spillway, Redactions, Radar Poetry, Verse Wisconsin, and in the anthologies Forgotten Women, A Face to Meet the Faces: An Anthology of Contemporary Persona Poems and Bigger Than They Appear: An Anthology of Very Small Poems. Her chapbooks, Her Vena Amoris (Red Bird Chapbooks), and Ides (Silver Birch Press) are available and her chapbooks, The Johnson Girls, Ophelia Unraveling and The Ornithologist Poems are all available from dancing girl press. She was a recipient of a grant from the Massachusetts Cultural Council.

Phill Provance’s poetry and prose have appeared in The Baltimore Sun, Orbis, Noctua and others. Previously, he wrote for Wizard and InQuest Gamer before scripting MediaTier Ltd.'s comic strip The Adventures of Ace Hoyle. In 2011, Cy Gist Press published his first poetry chapbook, The Day the Sun Rolled Out of the Sky. His second chapbook, Given to Suddenly Laughter, is forthcoming in 2019 (Cy Gist), as is his first full-length work of non-fiction (The History Press). His critical essay “Warring with Whitmania” will appear in The Poetic Legacy of Whitman, Williams, and Ginsberg (PCCC). Phill is completing his MFA at WV Wesleyan College. When not writing and reading, he prefers spending time with the best little guy in the whole world, his son, Ledger.

Crab Creek Review's contest issue will be available this October. Order a copy on our website or pick one up at Open Books, Elliott Bay Bookstore, or Eagle Harbor Books.

Ragamuffin, by Laura Page

Laura Page is a graduate of Southern Oregon University where she studied
English and Sociology. Her work has been published in many literary
publications, including Red Paint Hill, Tinderbox Poetry Journal, HYPERTEXT
, and Kindred. Her chapbook, Children, Apostates is forthcoming
from Dancing Girl Press.

About the work:

This poem was an attempt to convey the “unsanitized” aspects of loving another
human being and to describe a relationship in terms of resilience.

Thursday, July 6, 2017

Landscape with Playground Equipment, Pigtails, and Hypodermic Syringes, by Nicole Stellon O'Donnell

Nicole Stellon O’Donnell’s, first collection, Steam Laundry, won the 2013
Willa Award for poetry. A recipient of writers’ grants from the Rasmuson
Foundation and the Alaska Arts & Culture Foundation, and a Fulbright
Distinguished Award in Teaching, she teaches at a public school in a youth
facility in Fairbanks, Alaska.

About the work:

I am a public schoolteacher exhausted by the “Oh Captain!” archetypes built of
a fetishized vision of teaching and the simultaneous greedy-lazy-union-fatcat
characterizations of teachers pushed by educorp apologists. Teachers in America get
painted as saints or demons. Last spring, I decided to write about what it’s really like,
on a personal level, to teach in this country. Now that I’ve started, I can’t stop.