Wednesday, October 10, 2018



Crab Creek Review Poetry Prize Judge

This year, we are excited to excited announce our 2019 judge: 

Jericho Brown




Jericho Brown is the recipient of a Whiting Writers’ Award and fellowships from the John Simon Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard University, and the National Endowment for the Arts. His poems have appeared in The Best American Poetryanthologies,Buzzfeed, The New Republic, The New York Times, The New Yorker, and the Pushcart Prize anthologies. His first book, Please(New Issues 2008), won the American Book Award, and his second book, The New Testament (Copper Canyon 2014), won the Anisfield-Wolf Book Award and was named one of the best of the year by Library Journal, Coldfront, and the Academy of American Poets. He is the Director of the Creative Writing Program and associate professor of English and creative writing at Emory University.







Crab Creek Review Poetry Prize 
$500 cash prize for a single poem. The winner and finalists will be published in the following issue of Crab Creek Review, and all entries will be considered for publication. 
Submissions open January 2019.
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Saturday, October 6, 2018

Near the Inter-Urban Trail, After Working Evening Shift, by Richard Widerkehr



Richard Widerkehr’s second book of poems is In the Presence of Absence
(MoonPath Press). He has three chapbooks and one novel, Sedimental
Journey (Tarragon Books). Recent work has appeared in Rattle, Arts & Letters,
and Bellevue Literary Review. Richard’s poems are forthcoming in Atlanta
Review, Blueline, and Natural Bridge. He reads poetry for Shark Reef Review.

About the poem:

I wrote the first draft of “Near The Interurban Trail, After Working Evening Shift”
back in 1985 when I had a German Shepherd-Collie mix who was fun, smart, and
stubborn.

Thursday, October 4, 2018

Documentarian with Broken Camera Following Documentary Crew with Broken Cameras, by Ross White




Ross White is the author of two chapbooks, How We Came Upon the
Colony and The Polite Society. His poems have appeared in American Poetry
Review, New England Review, Poetry Daily, Tin House, and The Southern Review,
among others. He teaches creative writing at the University of North
Carolina at Chapel Hill.

About the poem:
I was talking to a young poet who told me she utterly rejected narrative, and asked
if she could tell me a story that would explain why. “Documentarian with Broken
Camera Following Documentary Crew with Broken Cameras” followed soon after. I
thought, “Maybe I’ll reject narrative, too.” So of course, Zeus showed up, an entity
so perfectly narrative that he might as well have appeared to the Greeks in the
form of a novel.

Tuesday, October 2, 2018

A List of My Symptoms, by Ellen Welcker



Ellen Welcker’s books are Ram Hands (Scablands Books, 2016) and The
Botanical Garden (2009 Astrophil Poetry Prize, Astrophil Press, 2010). She is
a recipient of a 2016 GAP grant from Artist Trust, for The Pink Tablet; a chapbook
of these poems was published by Fact-Simile Books in 2018. She lives in Spokane, WA.

About the poem:
“A List of My Symptoms” came out of the act of observing and documenting the
bumper sticker-style part of my culture which seems to mostly say “FU to anyone
not me.” It weighs on a person! It feels good to observe it growing collectively more
and more ridiculous, though it’s undeniably sickening, as well.

Sunday, September 30, 2018

Married-Married, by Julie Marie Wade



Julie Marie Wade is the author of ten collections of poetry and prose,
most recently Catechism: A Love Story (Noctuary Press, 2016) and SIX:
Poems (Red Hen Press, 2016), selected by C.D. Wright as the winner of the
AROHO/ To the Lighthouse Poetry Prize. Forthcoming in 2018 are her new
poetry collection, Same-Sexy Marriage, and a co-authored collection with
Denise Duhamel, The Unrhymables: Collaborations in Prose. Wade teaches in
the creative writing program at Florida International University in Miami.

About the work:
For a long time, as a woman who makes her life with another woman, I felt
ambivalence toward the institution of marriage. It’s hard to seek to join a club
that has always denied you as a potential member. After the Windsor decision
of 2013, my partner and I were excited by the prospect of national recognition,
social legitimacy at last. We married legally after more than eleven years together.
Coming out for us, already a fraught social ritual, has now been complicated by
marriage, as we are coming out not only as lesbians but as married lesbians--a
fact which is sometimes harder for others to believe or accept than our sexual
orientations. This micro-essay is part of a series of short pieces that addresses
such daily complications.

Friday, September 28, 2018

Eden, by Mitchell Untch




Mitchell Untch’s recent publications include Beloit Poetry Journal; Poet
Lore; North American Review; Confrontation; Nimrod Intl; Natural Bridge; Owen
Wister; Solo Novo; Knockout: Baltimore Review; Lake Effect; The Catamaran
Reader; Grey Sparrow; Illuminations; Tusculum Review; The Tampa Review ;
Mudfish; Painted Bride Quarterly; Meridian; Chattahoochee Review; Tule Review;
and Common Ground, among others.

About the poem:

“Eden” chronicles the dying of my twin brother, the quiet fury of his death, that,
in the end, searches for justification through an accusation of God.

Wednesday, September 26, 2018

Beneath the Eyelids of Morning, by Lisabelle Tay



Lisabelle Tay taught high school literature in Singapore, where she lives
with her husband. Her work has appeared in Unseen Magazine and My Lot
is a Sky (Math Paper Press).

About the poem:

“Beneath the eyelids of morning” is a 3am prayer, thrown up from the depths of
chronic illness.

Monday, September 24, 2018

Little Matterhorn, by Nicholas Roth



Nicholas Roth’s stories have appeared or are upcoming in The Forge
Literary Magazine, Roanoke Review, Failbetter, Word Riot, Noctua Review, Shooter
Literary Magazine, After the Pause, and Rivet Journal. He lives in Los Angeles.


Saturday, September 22, 2018

Name Them, by Christine Robbins




Christine Robbins received an MFA from the Rainier Writing Workshop.
Her poems have appeared in journals including The Georgia Review, Missouri
Review online, New England Review, Poetry Northwest, and Willow Springs. She
was a 2017 finalist for the New England Review Emerging Writers Award.

About the poem:

The title for this poem came to me first, and that almost never happens! I’ve had
slowly progressive trouble with my speech for a few years now, and the idea of
poetic voice has taken on a new urgency for me.

Thursday, September 20, 2018

All Fall Down, by Kate Peterson



Kate Peterson’s chapbook Grist won the Floating Bridge Prize in 2016
and was published by Floating Bridge Press. Her work has been published
in Sugar House Review, Glassworks, The Sierra Nevada Review, Rattle, Hawai`i
Pacific Review, and elsewhere. Kate is the director of Eastern Washington
University’s Get Lit! Programs.

About the poem:

I was asked to be a featured reader at last year’s Lilac City Fairytales event in
Spokane, and wrote this piece based on the prompt “weird sisters.” My own sister
had recently survived a serious overdose, and so this poem was about that, and
her struggles with addiction. She celebrated one year of sobriety this fall, so getting
this poem published is very special for both of us.

Tuesday, September 18, 2018

Glosa: Lemons, by Susan Blackwell Ramsey



Susan Blackwell Ramsey’s work has appeared in such publications as
The Southern Review, Poetry Northwest, Indiana Review and Best American
Poetry 2009; her book, A Mind Like This, won the Prairie Schooner Poetry
Book Prize. She lives in Kalamazoo, Michigan.

About the poem:

There’s a lot of poetry cross-pollination in Kalamazoo and Diane Seuss’s influence
is deep and wide. From her I learned about the glosa, a Spanish tribute form. I’m
working on a series based on lines from local poets and since Gail Martin has been
my first reader for years and my neighbor for even longer; having this poem in an
issue with work of hers delights me.

Thursday, September 13, 2018

Where Plants Go To Die, by Fernando Pérez



Fernando Pérez lives in Seattle and teaches at Bellevue College. His poetry has appeared in The Acentos Review, Huizache, The Suburban Review and others. His first collection of poems is A Song of Dismantling (University of New Mexico Press, 2018.)

About the poem:

The poem came after visiting my mom one day and noticing what some might call
an eyesore of a lawn. I inquired about succulents instead of grass and she said
“plants come here to die.”

Tuesday, September 11, 2018

Little Katabasis by D. Eric Parkison




D. Eric Parkison earned his MFA at Boston University. His work has most
recently appeared in B O D Y, American Chordata, and the Columbia Review,
among others. He lives, teaches, and writes in Boston, MA.

About the poem:
A landscape rather than an underworld for a journey begun but unending, and
without a hero. One wants to nod to the past in revealing the present. If it has been
done right there is music. It is a part of a manuscript in progress.


Tuesday, September 4, 2018

A Strange Feeling in a Parking Lot / the Tree, by Raynald Nayler



Raynald Nayler’s work has been published in the Beloit Poetry Journal,
Weave, Sentence, and other journals. A fluent Russian speaker, Raynald
has lived in Central Asia, Russia and the Caucasus for over a decade. He is
currently Press Attaché at the U.S. Embassy in Azerbaijan.

About the poem:

I have lived much of my life overseas a Foreign Service Officer, International NGO
worker, and Peace Corps Volunteer. This poem uses material from the travels of
Arab traveler Abu Hamid Al-Andalusi Al-Gharanati in the “Land of Darkness”—
the far North in the twelfth century. The poem combines that material with a true
story of reverse culture shock from a fellow Peace Corps Volunteer. My goal is to
express some of the confusion, wonder, and dismay of the encounter with the alien
and the experience of being an alien abroad, seeing U.S. material culture through
the lens of a total outsider—which is how I often feel when I return to my country.

Sunday, September 2, 2018

The Skirt, by Donna Miscolta



Donna Miscolta is the author of the novels, Hola and Goodbye, and When the
de la Cruz Family Danced, and the story collection, Natalie Wood’s Fake Puerto
Rican Accent. Her work has appeared in Cha: An Asian Literary Review and
Connecticut Review, among others. She has been the recipient of numerous
grants, residencies, and awards, including the Bread Loaf/Rona Jaffe
Scholarship for Fiction. She currently lives in Seattle.